The EBS STANLEY CLARKE SIGNATURE WAH/TONE FILTER is much more than a standard wah pedal. In fact, the main idea behind it was to simply use it as a tone filter to be able to re-create the sound of Stanley Clarke with a standard passive bass. And oh, did we mention it can be used as a volume pedal too?!
Use as tone filter. Stanley Clarke's signature tone can be achieved with this signature pedal and a passive standard bass for a lot less than it would cost to purchase an active electronics high-end boutique instrument. Rise to the levels and spectrum of tone that until now was solely instilled in those high-end bass guitars. The pedal pad is a releaseably secure mechanism that can be adjusted to maintain its position once you to find a desired tone within the pedals frequency sweep. It is also utilized with upright basses not limited to electric basses!
As a Wah pedal. The Stanley Clarke Signature Wah is highly flexible as a wah-wah pedal. It does not affect the entire frequency range, like many other wah pedals do, which helps preserve the bottom of your sound while using the effect. The pedal feature four different preshape pass modes, Low-pass, High-pass, Band-pass and Boosted Band-pass. In addition, it offers controls to adjust the Range and Width of the effect span.
As a volume pedal. The pedal has a switch on the side that desides what happens when you switch off the wah effect. One setting simply bypass the effect, but the other turn the Wah pedal into a Volume pedal when the wah effect is switched off. There's also an Active/Passive switch on the side, in case you use the pedal with an instrument with active electronics.
The EBS Stanley Clarke Signature Wah evolved through collaborative effort with Thomas Lieber of the Spellbinder Corp. USA and Stanley Clarke.
Technical Specifications:
| Nominal Input Level | - 8 or -20 dBv (active/passive) | |
| Input Impedance | 1 Mohms | |
| Pedal Modes | Wah or Volume | |
| Frequensy Response | +3/-3 dB 20 - 20.000 Hz | |
| Filter Center Frequency Range | 50 - 12.500 Hz | |
| Filter Q | 4.5 / 16 min/max | |
| Filter Mode | Low, Band, Boosted Band, and High Pass | |
| Output Impedance | 200 ohms | |
| True Bypass | Yes | |
| Dimensions (L x W x H) | 10.6” x 3.7” x 3.0” (270 x 95 x 75 mm) | |
| Weight | 1.8 kg (4 lbs.) | |
| Power Requirements | 9 V DC Regulated, 25 mA max. | |
* EBS Recommend the use of the EBS AD-9+ DC adapter. The adapter can supply up to twenty pedals at the same time.
REVIEW from Bass Guitar Magazine
by Chris Hanby
"An extremely well-built pedal, designed by the best in the business to enhance your creativity and to last forever" 5 out of 5
REVIEW from FUZZ Magazine
By Lars Arvidsson (translated to English by the author)
"The Stanley-wah is great fun. It is in fact a manual sweep envelope pedal as well as wah and volume. Variation is what really makes the Stanley Clarke Wah stand out from the crowd. Despite all possibilities this pedal is not hard to use."
REVIEW from MM Magazine
By Ulf Widlund (translated to English)
"You rarely see wah wah pedals in a bassist´s pedal board, and there are several reasons for it. Technically, a wah wah pedal is a kind of sweeping midrange boost, and since it was originally made for guitar, the register was simply too high for bass. Over the years there have been a number of attempts at adapting it to bass, and in most cases one has settled with adapting the frequency range of the sweep. The main problem has remained, though – that you lose most of the lows when you activate the effect."
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