Arturia has been exploring sound for 25 years. During this time, the mission has not changed: to accelerate innovation in the field to remove barriers for anyone to discover their unique sound and musical expression. To celebrate its journey to this point, Arturia hosted a livestream featuring a special new product announcement. Since you may be interested, we are happy and proud to inform you about a new product from Arturia!
_Introducing AstroLab
Avant-garde Stage Keyboard
Explore a vast spectrum of classic and modern sounds. AstroLab is a 61-key stage keyboard combining the power of synthesis, intuitive controls, and an innovative ecosystem - inviting musicians to focus on their creative expression and transition seamlessly from studio to stage.
Full creative control
AstroLab provides instant access to 34 iconic instruments and over 1300 presets brought to life with 10 synthesis engines. Which, alongside its intuitive controls, performance features and software ecosystem - allows musicians to go live with all their signature sounds and custom settings.

A unique ecosystem
AstroLab is complemented by a mobile app and Analog Lab Pro, allowing for the flexible control of sounds and settings, and ability to expand AstroLab’s library via the Sound Store. Prepare your setlist on your phone or integrate AstroLab with Analog Lab in your DAW to synchronize your custom presets.
Iconic instruments and beyond
Featuring over 1300 classic and modern sounds; from the hammer-action realism of Piano V and the rich and warm keys of Stage-73 to the mind-bending modern synthesis of Pigments - never-before-heard on a performance keyboard.
Effortless navigation and modulation
Find the perfect sound with AstroLab’s intuitive navigation and make impactful adjustments when playing live with 4 macro knobs and 4 FX knobs, all customizable with up to 12 insert FX to choose from.

Robust and integrated design
AstroLab lets you take your sound anywhere and ensures maximum stability when playing live without a computer or unnecessary cables.


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